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ARTHUR RIMBAUD BIOGRAPHY
When he was not yet 17, Arthur Rimbaud (1854-91) electrified Paris's literary society with the incendiary poems that later made him the guiding saint of 20th-century rebels, from Pablo Picasso to Jim Morrison. "A Season in Hell," "The Drunken Boat," and the prose poems of Illuminations were epochal works that changed the nature of an art form--and yet their author abandoned poetry at age 21 and spent the rest of his short life as a colonial adventurer in Arabia and Africa. "He was writing in a void," explains British scholar Graham Robb. "In 1876, most of Rimbaud's admirers either were still in the nursery or had yet to be conceived." Hardly surprising, since the poet was a difficult and frequently unpleasant person to actually know. The Parisian poets who took him under their wing soon discovered that Rimbaud was ungrateful, crude, and as scornful of their precious verse as he was of the Catholic Church, bourgeois proprieties, and everything else his disapproving mother held dear. Rimbaud's stormy affair with Paul Verlaine estranged the older poet from his wife and, eventually, from most of his artistic friends as well. In Robb's depiction, the poet possessed from his earliest youth a restless, searching intellect that permitted no compromise with convention nor tenderness for others' weaknesses. The author doesn't soften Rimbaud's "savage cynicism" or gloss over his frequently obnoxious behavior, yet Robb arouses our admiration for "one of the great Romantic imaginations, festering in damp, provincial rooms like an intelligent disease." Like Robb's excellent biographies of Hugo and Balzac, this sharp, subtle, unsentimental portrait is both erudite and beautifully written. - Wendy Smith.
A Biography by Graham Robb
Some Works of Arthur Rimbaud:
Les pas
I.
No one's serious at seventeen.
--On beautiful nights when beer and lemonade
And loud, blinding cafés are the last thing you need
--You stroll beneath green lindens on the promenade.
Lindens smell fine on fine June nights!
Sometimes the air is so sweet that you close your eyes;
The wind brings sounds--the town is near--
And carries scents of vineyards and beer. . .
II.
--Over there, framed by a branch
You can see a little patch of dark blue
Stung by a sinister star that fades
With faint quiverings, so small and white. . .
June nights! Seventeen!--Drink it in.
Sap is champagne, it goes to your head. . .
The mind wanders, you feel a kiss
On your lips, quivering like a living thing. . .
III.
The wild heart Crusoes through a thousand novels
--And when a young girl walks alluringly
Through a streetlamp's pale light, beneath the ominous shadow
Of her father's starched collar. . .
Because as she passes by, boot heels tapping,
She turns on a dime, eyes wide,
Finding you too sweet to resist. . .
--And cavatinas die on your lips.
IV.
You're in love. Off the market till August.
You're in love.--Your sonnets make Her laugh.
Your friends are gone, you're bad news.
--Then, one night, your beloved, writes. . .!
That night. . .you return to the blinding cafés;
You order beer or lemonade. . .
--No one's serious at seventeen
When lindens line the promenade.
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